An artificial evolution between the extremely rational laws of mathematics and the chaotic reflection of the real world.
A dream, a distortion: surreal memories integrated within mathematical concepts such as the rigor of the Fibonacci sequence, the early Renaissance philosophy of the arts, the very idea of painting in the Middle Ages, versus the chaotic, fragmented, super-fast and therefore only superficially represented contemporary society.
The way of writing code itself is intended to be the primary process of creation therefore it is art itself: the art of coding.
This is an aesthetic conceptualization that changes the way to approach and define processes of artistic representation and development:
algorithmic coding is art that produces art. And this artistic creation, the result of algorithmic expression in the realm of computed art,
can be enclosed in different representational forms, depending on the physical hardware output of the code itself:
music, image, video, or a mix of them all. Or even---for instance in Bach's Art of Fugue---the code itself can become the artistic product,
through reading rather than sounding. The possible outputs are left to the reader's interpretation and imagination.